58) Modern
interpretation of old pieces or Bandello - Shakespeare - West Side Story
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languages (via Skype): Rainer: + 36 20 549 52 97 or + 36 20 334 79 74
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Modern interpretation of old
pieces or Bandello - Shakespeare - West Side Story
The Italian writer Bandello wrote
a love story in which both lovers surrender to death, since fate apparently
had not intended them for one another.
The Englishman Shakespeare tells
of two hostile families, whose youngest members Romeo and Juliet cannot
overcome this contrast. They want to live together and try to fix everything
with a trick, but because there are also misunderstandings among lovers,
ultimately only death remains.
America has always been and will
probably remain the desired destination for immigrants for economic reasons
for some time to come. This creates social tensions. In the 1950s, there were
conflicts between Latin Americans and White Americans. And of course a young
member of one group fell in love with a young one of the others, which was
naturally replied benevolently by the other part. Only the ethnic groups
themselves didn't seem to like it, so the lover had to die.
There are many stories, dramas
and, today, films based on this model. And yet each is different, embedded in
its time and circumstances.
Benjamin Britten once said that
the performance should be based on the taste of the audience. And that's why
he changed the instrumental compilation of Purcell's "Dido and Aeneas".
Why didn't he just write a new piece?
The lasting value of a piece does
not lie in how much it can be used in different fashions, but in how much it
reflects the spirit of its time. We watch old pieces, listen to old music or
read old literature to get an idea of how people talked or thought about
certain things in other times, under different circumstances or in different
cultures; Perhaps to learn from it, to recognize where we come from, how it
came to what we currently have and are. The model very often remains the
same, but the circumstances, in which we stand, change. And that is why it
makes more sense to simply write a totally new piece than to press it into
our new forms, which usually only results in a distorted picture.
- Or do one wants to work with connotations
and use existing pieces for it?
- Or to bring the old pieces
closer to younger generations. The only question is whether they will not
convey a distorted picture of that time.
- As one always represented
Jesus, Joseph, Maria and the apostles in the respective fashion of the time,
whereby people in the Ku Klux Klan, for example, simply thought: "God is
white!" Although we know today that if Jesus has existed at all, he had
frizzy hair and half-brown skin, like all Jews in Palestine at that time.
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Freitag, 31. Juli 2020
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